Resultados de búsqueda: Contemporary Art

Hudson Hills Press LLC. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paris, France Editions Filipacchi, 1988. Hardcover First Edition [1988], unstated. Very Good+ in Very Good DJ: Both book and DJ show only minor indications of use. Book shows binding square and secure; text clean. Dustwrapper shows short, closed tear at top front hinge; remains unclipped. Overall, still close to 'As New'. NOT a Remainder. NOT an Ex-Library copy. Folio. 123pp. First Edition [1988], unstated. Hardback with DJ. Johnson feels a close affinity to the surrealists. But his work, while surrealist in inspiration is photo-realist in technique. Like the photo-realists, Guy Johnson meticulously translates photos, often old ones, into paint on canvas, always introducing into his composition a disturbing element - sometimes funny, often disquieting even macabre. 

Hudson Hills Press LLC. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

New York: Museum of Modern Art, 1968. Book. Very Good. Soft cover. First Edition.

Hudson Hills Press LLC, 1993. Hardcover. Very Good. Disclaimer:A copy that has been read, but remains in excellent condition. Pages are intact and are not marred by notes or highlighting, but may contain a neat previous owner name. The spine remains undamaged. An ex-library book and may have standard library stamps and/or stickers. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Hudson Hills, 1993-10-15. Hardcover. Very Good. 1.0000 10.3000 10.0000.

Hudson Hills, 1993-10-15. Hardcover. Very Good. 1.0000 10.3000 10.0000.

London, UK John Murray Publishers, 1985. Hardcover First Edition (1985), so stated. First Edition (1985), so stated. Very Good+ in Very Good+ to Near Fine DJ: Book shows indications of careful use: a tiny nick at the bottom edge of the front panel; minimal shelving wear along the bottom edge of the boards; the binding leans ever so slightly, while remaining perfectly secure; the text is clean. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, nearly-new copy, structurally sound and tightly bound, showing some minor flaws. The DJ shows only the mildest rubbing and very faint soiling to the rear panel, and the price has been clipped; mylar-protected. NOT a Remainder, Book-Club, or Ex-Library. 4to. (10.35 x 7.9 x 0.55 inches). 56 pages. Language: English. Weight: 1 pounds. 0.7 ounces. Hardback with DJ. 

New York: The Museum of Modern Art, 1968. "First Edition, First Printing". Trade Paperback. Very Good/"As Issued, No Dustjacket". In Wraps; covers are clean and tight; white background of covers have darkened slightly with age; corners are sharp; square 8vo; unpaginated (34 pages); illustrated with 39 drawings; rear cover and last few pages of book have shallow dog-ear type crease; upper right rear corner is bumped 0.45#; P3;

The american Federation of Arts, 1969. Book. Good. Soft cover. Light foxing to covers, corner crease to the front cover. 159 pages with representations of naive paintings in both color (55) and black and white (56). The paintings by known and unknown artisans, sign and house painters, farmers, frontiersmen, and itinerant portraitists range from the 1700s to the last quarter of the 19th century..

New York, NY Museum of Modern Art, 1968. Paperback First Ed, so stated. Very Good+ in Wraps: shows indications of careful use: light wear to extremities; moderate rubbing to the wrapper covers; small, very faint dampstain at the upper rear corner tip; binding square and secure; text clean. Remains close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Oblong 16mo. 32pp. Profusely illustrated in color and black & white. Introduction by Eila Kokkinen. Edited by William S. Lieberman. Paperback: Pictorial Wraps. Series of twenty-three drawings and paintings, stimulated by the artists time from Deep, on the Baltic coast Series of drawings and paintings (23) stimulated by his time from Deep in Pomerania on the Baltic coast in Germany. Feininger was the first person appointed by Walter Gropius to the faculty of the Bauhaus. His work was exhibited at the "Degenerate Art" exhibition of the Nazis. This monograph shows the development of one of his works, all of which are quite… Leer más

Hudson Hills Press, 1993-10-15. Hardcover. Good.

Dallas, TX: Dallas Museum of Fine Arts, 1966.. 1966.. Very good. - Small quarto [approximately 10 inches high by 8 inches wide], softcover bound in brown stiff paper wrappers. The extremities are rubbed & there is a tiny black mark to the rear cover. 54 pages with the text printed on tan stock. 36 full-page illustrations in color and black & white. The contents are fine. Very good. <p>The text includes ten pages of extracts from writings by Dubuffet.

New York: Cohen Gallery, 1994.. 1994.. Very good. - Quarto [approximately 11-5/8 inches high by 9 inches wide], softcover bound in printed white folding wrappers with a color pictorial label mounted on the front wrap. There are 2 stains to the rear wrap & 3 tiny, light stains to the front wrap. Unpaginated. Title & 8 full-page illustrations, 5 of them in color, plus colophon. There is some staining to the bottom margin of the last illustration. Very good. <p>Published on the occasion of a 1994 exhibition at the Cohen Gallery, New York.

Bologna, Italy Editrice Missionaria Italiana, 1988. Hardcover Near Fine: shows only mild rubbing to the lamination of the coveres; a hint of age-toning to the endpapers and much less to the slick-paper pages of the text; else flawless; the binding is square and secure; the text is clean. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome, nearly-new copy, structurally sound and tightly bound, showing the mildest wear and minor, unobtrusive cosmetic flaws. Bright and clean. Corners sharp. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Oblong 8vo. (8 x 8.35 x 0.55 inches). 173 pages. Profusely illustrated with color plates by the artist. Language: English and Italian. Weight: 19.3 ounces. Hardcover: Pictorial Laminate Boards.

Santa Fe: Charlotte Jackson Fine Art, 1996. Book. Near Fine. Soft cover. First Printing. Light crease the length of the front cover. Exhibit catalog. First printing of 1,000 copies..

Middletown, Connecticut: Wesleyan University Press, 1986. Book. Near Fine. Soft cover. This catalog was produced in conjunction with an exhibition at the Ezra and Cecile Zilkha Gallery at Wesleyan University, August 27-October 19, 1986. 79 pages with List of Works in the Exhibition and Bibliography..

Latiano, Italy: Associazione Pro Loco, 1989. Book. Near Fine. Soft cover. 28 pages, illustrated with black and white photos. The Arts and Traditions of Puglia in the Museums of Latiano: Museum of Arts and Traditions of Puglia, Museum of Ceramics "A. Ribezzi" Latiano..

USA: Thames and Hudson, 1993. Paperback. used, former library book, has stickers and pocket inside, acceptable. 5.75x8.25. “Latin American Art of the 20th Century” (1992), by Edward Lucie-Smith. This comprehensive survey introduces an exceptionally rich, fascinating and complex art, that has gained great popularity in recent years. Edward Lucie-Smith discusses major subjects and issues. Magic Realism, Expressionism and other concepts shared with Latin American literature, the great muralists Diego Rivera, David Alfaro Siqueiros and Jos√© Clemente Orozco, the interaction of politics, society and art, the continuing interest in folk art, and the dialogue between avant-garde European and North American movements and "indigenist" thinking in the work of artists such as Wifredo Lani, Matta, Rufino Tamayo and Frida Kahlo. Many other artists, including a large number of women, from the 1900s to the present day, are included in this compelling look at a great body of art.

1976. Book. Near Fine. Soft cover. Preface by Carl Schlosberg. Includes autobiographical statements and views of the artist by others--Norman Rosten and Betje Howell. The Magnes Museum was the first Jewish Museum of the West. Includes 27 plates from the exhibit..